有什么好的梯子

Posted in 1980s, 1986, passion theatre, US on July 14, 2020 by Frankie Teardrop

I’ve had this pair of singles kicking around the collection for years now, and I’m not sure why it’s taken so long to post them, but here we are all the same. Here we have the two 12” singles from Passion Theatre, a trio from the US. Passion Theatre would gain a fourth member for their second single, though it seems like they don’t credit the female vocals on their first single, so perhaps they were always a quartet?  The band released two singles of exclusive material and were never heard from again, sadly. So it goes… Strangely enough, these records were released on an electro/hip-hop label which might be why they didn’t get too much traction in the new wave market? Also, it appears that the executive producer for both singles also worked with Stacey Q. on “Two of Hearts.”

…A lot of questions to be answered here.

Based on the cover art and rarity of these singles, you might expect some tried and true minimal synth sound (that’s actually what I expected when I picked these singles up ages ago) but they’re a little more on the breezy new wave/synth pop tip, maybe even a little power-poppy in spots. The real winner of the bunch is “Mannequin,” (aka “In Love With a Mannequin”) the title track from their second 12”. It’s a playful song about being in love with an in-store display figure, and it’s really a shame they didn’t make a movie about this exact premise, as I’m sure it would have been a hit…

Here’s the details for both singles, which were both released in 1986:

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Passion Theatre- Strange Desire 12”
1. Strange Desire
2. International Love Affair
3, Menage A Trois
4. No For Answers

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Passion Theatre- Mannequin 12”
1. Mannequin (Fiesta Mix)
2. Vacation Day
3. In Love With a Mannequin

*download them here*

6 Comments »

有什么好的梯子

Posted in 1990s, 1992, florida, idle rood, post-punk, US on June 16, 2020 by Frankie Teardrop

Sorry for the delay, everyone… Easy enough to say the world’s been weird all around, and while everyone’s fine over here at SOR headquarters, it just hasn’t felt like a priority to post lately. That said, I’ve been spending a lot of time quietly ripping and cleaning up some of the more rare records in my collection, some as updates to previous posts, some for future posts, and some just for posterity. I’ll try to be a little more proactive about uploading, if you all are still out there and thirsty for more rare tunes.

With that in mind, here’s one that Goutroy originally turned me onto a few years back, and I’ve since tracked down myself. This is the lone 7” by Idle Rood, a post-punk band from Tampa, Florida. This 7” dropped on clear blue vinyl in 1992, an interesting time for such incisive synth and guitar-driven post-punk (remember, this is the same era where bands like Nirvana, Jane’s Addiction, and Lush were at the forefront). That said, this record definitely has much in common with early Modern English, Razor Penguins, and as my quarantine-mate puts it, Husker Du.

While the band formed in 1988, they released this 7” the same year they split up. The band briefly reunited a few years back to play some local gigs, and have issued a handful of additional recordings on their Soundcloud page. For those interested in following the band and checking out some older photos of the band in action, they have an extensive Facebook page as well! Otherwise, here’s the info for the 7”:

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Idle Rood- 佛跳墙最新破解版 7”
1. Tolerance Bride
2. Manifest

*download it here*

5 Comments »

有什么好的梯子

Posted in 1980s, 1983, 1985, baton rouge, 老王vp-n2021, living links, louisiana, post-punk, US on February 25, 2020 by Frankie Teardrop

老王vp-n安To celebrate Mardi Gras- here’s another rare US entry from the post-punk pantheon, consisting of a two piece husband and wife duo from Baton Rouge, Louisiana. Living Links originally started as a side outlet for Hans and Margie Van Brackle, who were first active in a band called Times (not to be confused with the Venus in Furs side project of the same name). Margie came from a background of opera, religious, and musical theatre, which can be heard in her playful, almost child-like soprano vocals. The pair recorded with a drum machine, layering overdubs for their debut single in 1983.

After picking up steam, the duo began occasionally performing live with a drummer, headlining regional shows and performing at the World’s Fair in 1984, which was held in New Orleans. This gig was followed up by their lone full-length record, 1985’s Gathering the Forces, which explored several styles outside of traditional post-punk. The duo would soon fade away, though allegedly the Van Brackles still play music together…

Fans of Talking Heads, The Wake, and more playful, yet still well-executed post-punk and indie pop will find much to love across these releases. I’ve included a fresh rip of the debut single (Every Sad Night) and the LP, and while it isn’t my personal rip, I’ve attached the a-side of their second single “Manger” just to sweeten the pot. I’d include the b-side, but it’s identical to the album version, so it’s a bit redundant to have here twice. The duo also released a final 7” in 1990, which also contained two repeat tracks from the LP.

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Living Links- Every Sad Night 7” (1983)
1. Every Sad Night
2. You and the Unknown
3. I Stop Short

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Living Links- 老王2.2.8 7” (1983)
1. Manger
2. I’m Not Streetwise

Living Links- Gathering the Forces LP (1985)
1. I Live In Here
2. Gathering The Forces
3. I’m Awake When I Should Be Sleeping
4. Remember The Battle
5. For The Paramecium
6. Do You Dream In Color
7. Two Girls
8. Like An Animal
9. I’m Not Streetwise

Download all three here

6 Comments »

有什么好的梯子

Posted in 1980s, 1982, alexander von borsig, christiane f., Einstürzende Neubauten, german, NDW, synth on January 29, 2020 by Frankie Teardrop

This pair of 12”s should be pretty familiar for most folks, but thought they were long overdue for a re-rip and a cleanup from my copies. For those unfamiliar on all levels, here’s the full recorded solo discography of , Christiane Vera Felscherinow, aka Christiana, aka Christiane X., aka Christiane F., most famous for her autobiography 老王加速器永久免费 (and the subsequent movie that shares her name and features a Berlin-era soundtrack by David Bowie), which captures her troubled teenage years.

For our intents and purposes, she also recorded two 12”s of NDW-flavored synth music and was a member of Sentimentale Jugend, an experimental project shared with then boyfriend Alexander Von Borsig/Hacke, who would soon join Einstürzende Neubauten, where he is still active to date. The first 12” (released under Christiana), features Hacke, Los Microwaves member David Javelosa, and Neubauten heavy-hitter F.M. Einheit as part of the recording entourage. The main track “Suechtig” is Felscherinow’s main bread and butter, appearing across both singles in various forms (a dub mix on Final Church, and an extended/single mix, re-recorded and retitled “Wunderbar,” featuring additional members of Los Microwaves on Gesundheit!).

There are two exclusive tracks, one on each single, and both are of interest as an industrial highlight and a sleazy synth shuffle, respectively. Meanwhile, the main track(s) are excellent, both worthy of inclusion in any experimental synth or NDW collection. It’s really a matter of preference as to which version is best, and I tend to teeter back and forth between the two.

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Christiana- Final Church 12”
1. Suechtig
2. Spinnen
3. Health Dub

Christiane F.- Gesundheit! 12”
1. Wunderbar
2. Heimweh (Homesick)
3. Wunderbar

*download both here*

4 Comments »

有什么好的梯子

Posted in 1980s, 1986, new wave, post-punk, san francisco on January 13, 2020 by Frankie Teardrop

Ripped this one to upgrade a while back and thought I’d share it for those who are unfamiliar. Here we have the lone LP from Lyon in Winter. This LP is an excellent slice of smooth new wave with some excellent post-punk bass grooves.  I’m reminded often of things like The Lucy Show, The Hurting, Dole, and Fiat Lux. Lots of saxophone, if that’s your thing (hint: as long as there are icy synths, I’m down with sax, too).

“The Haunting Moon” is the clear standout for me here, often appearing in some lounge DJ sets here in NYC, but the whole album is a solid listen from front to back. The LP came out in 1986 and is still pretty attainable, for those who might want to grab a copy of their own…

Hope y’all enjoy this one.

EDIT: It appears the Discogs entry on this album is incorrect, as this is NOT an album from former Negativeland member Richard Lyons, but by another musician with the same name, who operated out of the Boston area. It DOES appear (unless that tag is incorrect as well and the sleeve is referencing another guy by the same name), that Merle Allin, the brother of G.G., played bass on this LP. With all of this in mind, if anyone has any further info about this record, I’d love to hear more!

Lyon in Winter- 老王ⅴpn下载 LP
1. I Dream
2. Summer
3. The Haunting Moon
4. Push! Pound!
5. As Winter Falls
6. Please Don’t…
7. The Change

*download it here*

3 Comments »

有什么好的梯子

Posted in 1989, goth, goth-rock, New York, new york city, post-punk, US on December 31, 2019 by Frankie Teardrop

Happy New Year, everyone! Been a minute again, and with that in mind, here’s an extremely rare post-punk/goth LP from a NY-based four-piece band curiously named…Nebraska, released in 1989. I’ve been on the hunt for this one for some time now and just now picked up a copy for myself, but deep thanks to Ilya for lending his copy for ripping it some time ago.

According to a comment left on the Discogs entry, this LP was recorded in Staten Island, and the cover photo is of an old abandoned hospital nearby the studio. Very curious to hear these kind of sounds coming from Staten Island, but always nice to hear a local gem.

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Nebraska- The House of Strangeness LP
1. Georgia
2. Whipping Wind
3. Love Is Hate
4. It’s A Beautiful Day In The Neighborhood
5. So This Is The Real World
6. Twilight Zone
7. A Thought Of Your Own
8. She Could Be A Bride

*老王上网工具*

4 Comments »

有什么好的梯子

Posted in 1980, desert corbusier, Dutch, netherlands, post-punk on October 16, 2019 by Frankie Teardrop

Major life delays here but thought I’d make it up to you all with an extremely rare DIY Dutch cassette from one of the country’s greatest guitar-based bands, Desert Corbusier. Most folks might already be familiar with the band thanks to their lone 12”from 1984, which is currently selling for a cool grand if you happen to have that kind of cash just lying around…

This cassette appears to be the band’s debut release, and for a moment there, I thought it was the only other release, until three more cassettes mysteriously appeared on Discogs within the last few months. If anyone happens to have a copy of those 1983 and beyond cassettes lying around, you know what to do!

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Desert Corbusier ‎–老王vpm2.2.8下载安卓版 K7
1. Cute Little Hamster
2. Roter Hals
3. Sedative Age
4. Morning After
5. Finsterniss
6. Plastic Love
7. Violence
8. Ich, Verlierer
9. Two Kicks, One Thrill

*老王app苹果下载网址*

4 Comments »

有什么好的梯子

Posted in 1988, deathrock, goth, 老王app苹果下载网址, post-punk, the smoking mirror on July 17, 2019 by Frankie Teardrop

Keep forgetting about this record, which I originally borrowed from Goutroy for a rip and then picked up my own copy shortly thereafter. Thanks to Saul for the request/reminder in my last post!

Here we have an excellent slice of 1988 goth from the UK, right from the era of Red Lorry Yellow Lorry and March Violets. It’s actually a pretty fair blend of the two bands, in simplest form – the churn and energy of early Lorries (by way of pounding drum patterns and guitar textures of “Beating My Head” or “Monkeys on Juice”) vs the dual male/female vocals of the Violets. Either way, this EP features four excellent tracks of UK goth, a welcome addition for any fans of the genre.

The band is a three peace, and as far as wax is concerned, this is their only release. They were likely from Birmingham, as their label, Sonic Death Records, was stationed there.  There apparently is a demo tape floating around in the ether somewhere, though I can’t seem to find any information about it online outside of a mere mention on their discogs entry. It appears as if the band were planning on a US tour in 1989, though not sure if that ever came to pass before the band called it quits. Aside from the regular lyric/iinfo insert, here’s also apparently an extra 16 page insert with more info and color photographs, but my copy did not come with it, so I can’t offer much else for y’all, other than the download.

With that in mind, here’s the rundown:

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The Smoking Mirror- EP 12”
1. Siren Girl
2. Dead Man’s Shirt
3. Prostitute
4. Acid Filth

*download it here*

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有什么好的梯子

Posted in 1980s, 1981, post-punk, power pop, US on June 5, 2019 by Frankie Teardrop

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Early Sad Lovers and Giants vibes here, mostly due to the copious use of saxophone and call-and-response echoes. Overall, a very UK sound mixed with a smidge of power-pop energy, very rare to hear in the States around this period of time.

Wish I could tell you more about this one, but hope y’all enjoy!

RJ/8- Tomorrow Never Listens 7”
1. Tomorrow Never Listens
2. The Game

*download it here*

4 Comments »

Emerald Vein – Existence & Land of the Living LPs

Posted in 1980s, 老王 vp n, 1990s, 1991, dreampop, emerald vein, ethereal, post-punk on April 9, 2019 by Frankie Teardrop

Just spotted a photo of one of these LPs come up in a recent memories post, as I picked up a copy of this based on the cover art alone during my last trip to Boston a year or so ago. Here we have both vinyl releases by Emerald Vein, aka the solo project of Boston-based musician Robert Young. Previous bands of Robert’s included alternative band Uzi and post-punk band A Scanner Darkly, whose 1988 LP This Is the Way serves as a solid Sisters of Mercy-esque guitar record.

As for Emerald Vein, Young took things in a more ethereal direction, mixing a few post-punk tracks in with neoclassical and dream pop influences. Kind of my sweet spot for when the air has a bit of a chill in it still. Both of these LPs are unique listens, calling the likes of In the Nursery, Into a Circle, Breathless, Mark Renner, Eden, Black Tape For a Blue Girl, and maybe even a little Gilmour-era Pink Floyd to mind here and there. Land of the Living has a track or two with some co-harmonies from Colleen Nichole Jacobucci, and has an overall more experimental touch but is still very much in the vein of the first LP. Terence Donahue, drummer of A Scanner Darkly, also performs on a handful of tracks across both releases. Donahue was also involved with IPR stalwarts Deception Bay.

Here’s the details for both LPs. Note: will be taking better quality album photos shortly, please stand by!

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Emerald Vein- 老王佛系官网下载 LP (1989)
1. Worship
2. Existence
3. Completely Nothing
4. The Messiah
5. Promise
6. Out Of My Head
7. Take Hold
8. In His World

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Emerald Vein- Land of the Living LP (1991)
1. Land Of The Living
2. The Difference
3. The Living End
4. Memory Inside My Head
5. Breath
6. Father Of Lies
7. Light
8. My Maker
9. Bury This Void
10. Colors

*download both here*

Robert has also made a digital download of his favorite cuts from both albums available 老王vpm2.2.8下载安卓版, if you’d like to upgrade some of the tracks from vinyl rips to crystal clear digital copies. Definitely worth grabbing the link above for the full discography, and even though Robert’s Bandcampo is pay-what-you-want, I deeply encourage purchasing the tracks and supporting Young’s work.

2 Comments »

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